Black Sabbath - Paranoid (1970)

Posted by Amelia Swhizzagers On 5:21 AM 0 comments

After the release of their eponymous debut album in February 1970, Black Sabbath returned to the studio in June that year, again with producer Rodger Bain, to record their second album. The album was recorded at Regent Sound Studios and Island Studios in London, England. The album's eponymous single "Paranoid" was written in the studio at the last minute.

As drummer Bill Ward explains: "We didn't have enough songs for the album, and Tony just played the "Paranoid" guitar lick and that was it. It took twenty, twenty-five minutes from top to bottom." The song was written with no intention of it being a successful hit for the band, only to be a filler on the album.
In comparison with their previous album, the songs on Paranoid were given more focus and direction, with less improvisation. However the lyrical content is equally as dark, exploring themes such as war, mental illness, drug abuse and sci-fi horror. Much of the album could be viewed as a kind of social commentary. Spin magazine wrote that the band "saw heavy rock as a way to emulate the horrors of a fallen world."

The lyrics of the opening song, "War Pigs", discuss war and the absurdities of those who make war without regard for those forced to fight it. It is often viewed as a protest song. Similarly, the lyrics of "Electric Funeral" discuss the horrific aftermath of nuclear warfare. These songs were written in the midst of the Vietnam War and the Cold War, and could be seen as quite representative of the political situation at the time.

The song "Paranoid" is uncharacteristically fast and simplistic for Black Sabbath in their early days. Supposedly the band members intended it only as an interlude or as "filler". Its lyrics concern the stigma of mental illness. In a related way, "Iron Man" is about a time traveller from the future who has been turned to steel. He is outcast by society but eventually takes his revenge on humanity. It is also a reference to Vietnam war veterans, who upon returning from war were outcast by society and had no help re-integrating into normal life or dealing with their post war mental disorders.[citation needed]

The song "Iron Man" is thematically very similar to the Ted Hughes novel, The Iron Man. This book was made into an animated film which was called The Iron Giant.

Three songs on the album appear to concern dreams, hallucinations and drug use. "Planet Caravan" and "Fairies Wear Boots" are quite psychedelic in style and their lyrics are quite abstract.

"Hand of Doom" was written as a message against heroin use (holes are in your skin, caused by deadly pin). The song transitions between slow, soft passages and fast, loud passages as a representation of the drug being injected.
Tracks
1.War Pigs (7:55)
2.Paranoid (2:47)
3.Planet Caravan (4:24)
4.Iron Man (5:53)
5.Electric Funeral (4:47)
6.Hand of Doom (7:07)
7.Rat Salad (2:29)
8.Fairies Wear Boots (6:14)
Listen

You - Electric Day (1979)

Posted by Amelia Swhizzagers On 1:30 AM 0 comments

Very nice album of Berlin School electronic music. Harald Grosskopf produced and contributed drum parts under Lhan Gopal pseudonym. Ulrich Weber's guitar and Harald Grosskopf's drums integrate wonderfully with various analog synthesizers and sequencers used here. Music is rooted in Berlin School, but still manages to be original and at times borders on experimental. Subsequent albums are all worthwhile as well.
Tracks
01. Electric Day (5:51)
02. Magooba (6:30)
03. Son Of A True Star (5:03)
04. Sequential Spectrums Part 1 (2:01)
05. Sequential Spectrums Part 2 (0:45)
06. Slow Go (11:56)
07. Zero-Eighty-Four (8:36)
Listen

Thin Lizzy - Vagabonds Of The Western World (1973)

Posted by Amelia Swhizzagers On 12:29 AM 0 comments

VAGABONDS OF THE WESTERN WORLD is not only the last record that Thin Lizzy recorded as a trio, but an album that signaled the band's adoption of a more hard-rock sound and an abandonment of its prior harder-edged prog-rock approach. VAGABONDS also contained Thin Lizzy's breakthrough hit, a modern update of the traditional folk song "Whisky in the Jar."

Once again turning to his Irish heritage, Phil Lynott reaches into Celtic mythology to create a wayfaring fictional character who traverses through a mystical world, a character who appears in the Hendrixian title track, and in the moody "Hero and the Madman." On the later, Lynott's spoken-word intro sounds not unlike something Jim Morrison might have written. When Lynott isn't relying upon magical beings for inspiration, his songs speak from the perspective of the perpetual outsider. Throughout the album, the band demonstrates its mastery of the blues ("Slow Blues," "Broken Dreams"), folk ("A Song For While I'm Away"), waltzes ("Randolph's Tango"), and Faces-like boogie ("Mama Nature Said.") The guitar-driven "Whisky in the Jar" may have been the album's hit, but "The Rocker," an anthem that became a precursor to the later success of JAILBREAK, is as hard-hitting as it gets.

Recorded in 1973, this LP was Thin Lizzy putting all they had into the music and taking risks. Its passionate, high energy and distinctive.
Tracks
01. Mama Nature Said
02. The Hero & The Madman
03. Slow Blues
04. The Rocker
05. Vagabonds Of The Western World
06. Little Girl In Bloom
07. Gonna Creep Up On You
08. A Song While I'm Away
09. Whiskey in the Jar
10. Black Boys on the Corner
11. Randolph's Tango
12. Broken Dreams
Listen

John Philips - John, The wolf king of LA (1970)

Posted by Amelia Swhizzagers On 12:20 AM 0 comments

John Phillips (John, the Wolf King of L.A.) is the first solo recording by the Mamas & the Papas leader John Phillips. All songs were Phillips originals, dealing mostly with recent events in Phillips' life, including references to his new girlfriend Geneviève Waïte and longtime friend Ann Marshall ("April Anne").

As John was the backing singer in the Mamas and the Papas, with the other three serving as lead singers, the album mix tends to de-emphasize his lead vocals. Denny Doherty stated that, had the Mamas & the Papas performed this album, it would have been one of their finest, because of the strength of Phillips' songs. The single "Mississippi" reached the US Billboard top 40.
Tracks
01. April Anne – 3:22
02. Topanga Canyon – 3:53
03. Malibu People – 3:41
04. Someone's Sleeping – 2:46
05. Drum – 3:36
06. Captain – 3:25
07. Let It Bleed, Genevieve – 2:53
08. Down the Beach - 2:52
09. Mississippi – 3:36
10. Holland Tunnel – 3:41
bonus tracks
11. Shady - 3:48
12. Lonely Children - 3:44
13. Lady Genevieve - 4:30
14. Black Girl (traditional) - 3:29
15. The Frenchman - 4:03
16. 16mm Baby (Reich) - 2:41
18. Larry, Joe, Hal and Me - 2:25
19. Mississippi [Single Version] - 3:07
Listen